Meg and her young brother charles, together with a new friend, Calvin, embark on an adventure to save their father who had been experimenting with time travel. As they encounter the most evil forces traveling through space and the most benevolent allies, Meg, Charles, and Calvin must rely on their unique talents and gifts and ties to one another to save Mr. Wallace and find a way back to Earth in time to save it from the darkness.
L’Engle, M. (1962). A wrinkle in time. New York, NY: Random House.
It’s difficult to add to the immense amount of reflections and critiques of this work. Often hailed as the original science fiction for children, L’Engle’s famous novel has been dissected, discussed, and passed from reader to reader with enthusiasm and joy for years and will be for years to come. As I was reading it, I felt sad that I did not experience it the first time as a child or even young adult. As an adult, I found myself relating to the adults and guides in the novel, hoping for the children’s safety and speedy return, rather than empathizing with the children themselves. I can best describe the novel’s profound impact on the reader by sharing that as I was reading it, I forgot that it was science fiction. The time travel, technology, creatures, and outer realms became so believable through the eyes of the children that I was able to achieve suspension of disbelief; this comes difficult for me as sci-fi is not one of my preferred genres.
HOLLEY, P. (2011). Groundbreakers [Review of the book A wrinkle in time]. Voice Of Youth Advocates, 34(2), 116-119.
In addition to a special collection of Newbery and other award winners, A Wrinkle in Time, can be integrated into genre talks and presentations about science fiction. It’s important to teach readers about genre so that they can better select texts that might interest them. Science fiction is an often misunderstood genre; many patrons still think of it as space opera (e.g., Star Wars). The librarian could use excerpts, trailers, or even film clips to introduce young readers into the basic tenets of science fiction/ fantasy and follow it with a book pass of titles that represent the diversity the genre has to offer.
A toddler unknowingly escapes the murdered who has just killed his entire family by waddling into a graveyard whose ghosts become enamored with the young boy. With a frantic and final plea from the young child’s recently murdered mother, the residents of the graveyard vow to protect him and make him part of their community, shielding him from the Jack who seeks to finish the work that he began. The toddler, Bod, grows into a curious and adventurous young man who is constantly seeking connection with the outside world, sometimes through very dangerous encounters with the spiritual and physical world.
Gaiman, N. (2008). The graveyard book. Harper Collins: New York.
Without risking any major spoilers, I have to confess that I was nearly unable to move past the first ten pages. As soon as my mind attached itself to the eighteen-month old boy bumping his rump down a flight of stairs, diaper sagging, my heart stopped. Any mother of a young child, especially a boy, will immediately feel a maternal affection for Bod and his tragic dillema at the onset of the story. Anyone of us in Mistress Owens’ shoes would have done the same. From the first line “There was a hand in the darkness, and it held a knife” I was hooked, and despite my initial gut-wrenching reaction to the murder of Bod’s family and his mother’s final plea, I knew I had to find out what happens to that little naked baby.
Gaiman crafted this novel to be character-driven, particularly through Bod, but also through the villainous Jack, enigmatic Silas, and host of ghosts and ghouls who reside in the grave yard. The relationships that Bod form with each of them drive the plot and conflicts, leading to an ultimate mash-up of life and death fighting to save one young man. In one particularly poignant scene, the dead leave their home to attend a festival during which they dance with the living only to be forgotten once more by morning. Scenes such as this serve as a reminder of the ways in which we remember and keep loved ones who are no longer with us, near us.
This very unique and extraordinary community demonstrates the validity to the adage, “It takes a village to raise a child.”
Schneider, D. (2010). It Takes a Graveyard to Raise a Child [Review of the book The Graveyard Book]. Book Links, 19(3), 6-8.
The Graveyard Book would be an excellent Newbery Award winner to introduce to students as they explore awards for children’s literature. It could stand as the centerpiece to a display or as a gateway for children who are comfortable with illustrated and graphic novels to try a chapter book. Additional award winner’s such as Brian Selznick’s The Invention of Hugo Cabret could be the content of a book talk featuring illustrated novels that have received recognition in the world of children’s literature.
Book Summary: Mr. Popper, a “house-decorator,” painter, and father, dreams of exploring the Atlantic during his holiday. After writing to the famous Admiral Drake, Mr. Popper receives a surprise package direct from the South Pole, an antarctic penguin. Penguins, however, can be very lonely without other penguins, so the edition of a second penguin begins the ultimate adventure that results in ten full-grown penguins who become international stars of the stage. Through a series of humorous and far-fetched incidences (Mr. Popper must have a refrigeration system installed in his basement along with ice blocks to construct homes for his penguins), The Poppers’ love and dedication to their family of penguins delights the reader from the first “gawk” to the last.
APA Reference: Atwater, R. and Atwater F. (1938). Mr. Popper’s Penguins. New York, NY: Little, Brown and Company.
Impressions: With the recent film adaptation starring Jim Carrey, I was very curious about this little book. Although the plot line is far-fetched, its simplicity and quirkiness is very entertaining. As the penguins get into one snafu after another and Mr. Popper struggles to support his penguin and human family, I became attached to the web-footed creatures. The nicely packaged ending that provides a “best of both worlds” conclusion did disappoint me slightly. Hoping for some hint of a moral or lesson, I looked forward to the ending for a nugget of truth to take from the book. Instead, I was left with humorous sketches of sparring penguins and gloved pianists. For small children, however, the penguins’ hijinks and short chapters provide a pleasurable reading experience.
Professional Review: More than 60 years have not dated this wonderfully absurd tale–it still makes kids (and parents) laugh out loud. Poor Mr. Popper isn’t exactly unhappy; he just wishes he had seen something of the world before meeting Mrs. Popper and settling down. Most of all, he wishes he had seen the Poles, and spends his spare time between house-painting jobs reading all about polar explorations. Admiral Drake, in response to Mr. Popper’s fan letter, sends him a penguin; life at 432 Proudfoot Avenue is never the same again. From one penguin living in the icebox, the Popper family grows to include 12 penguins, all of whom must be fed. Thus is born “Popper’s Performing Penguins, First Time on Any Stage, Direct from the South Pole.” Their adventures while on tour are hilarious, with numerous slapstick moments as the penguins disrupt other acts and invade hotels. Classic chapter-a-night fun. (Ages 5 to 10) –Richard Farr (Amazon.com)
Farr, R. Mr. Popper’s penguins [Review of the book Mr. Popper’s penguins]. Amazon. Retrieved from http://www.amazon.com/Mr-Poppers-Penguins-Richard-Atwater/dp/0316058432.
Library Uses: This short chapter book would be a fun addition to a text set centered around penguins for a book talk. Paired with nonfiction titles about penguins, it would provide a comical glimpse into the personality of the animals. A display could include essential questions about penguins such as, “Do penguins live with their families?”